The Revenant (2015)

Genre

Adventure | Drama

Director


Country

USA

Cast

Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck, Grace Dove, Paul Anderson, Brendan Fletcher, Kristoffer Joner, Melaw Nakehk'o, Duane Howard, Brad Carter, Lukas Haas

Storyline

In an expedition of the uncharted American wilderness, explorer Hugh Glass (Leonardo DiCaprio) is brutally attacked by a bear and left for dead by members of his own hunting team. In a quest to survive, Glass endures unimaginable grief as well as the betrayal of his confidant John Fitzgerald (Tom Hardy). Guided by sheer will and the love of his family, Glass must navigate a vicious winter in a relentless pursuit to live and find redemption.

Opinion

About one year ago Alejandro G. Iñárritu, one of my favourite directors, took home not one, not two, but three Oscars for "Birdman"; those statuettes were followed by a speech about ego and as that is one of our greatest enemies. Well, a lot has been said and written about "The Revenant", and while many think that Iñárritu did not listen to his own advice returning with the great ambition to make a masterpiece, ego or not ego, in my humble opinion Iñárritu did make a masterpiece.

"The Revenant" is a magnificent, powerful film that delivers every single emotion, and whose brutality and viscerality pierce like a sharp blade and make us reflect on human nature.

Inspired by true events, the film is a deep cinematic experience that tells a story of revenge and survival, the epic adventure of a man trying to survive only with his strenght of spirit. It could have easily been nothing more than just a revenge film, but here comes the extraordinary ability of Iñárritu who transforms an average plot into something spectacular, using the contrast between poetic beauty and the ugliness of violence to point out human's interference with nature. The whole comes with a life lesson: as long as you can still grab a breath, you fight.

While it is certainly not the first Man vs. Wild film, "The Revenant" puts everyone on the same level, both men and animals, both victims and perpetrators. The cold and impassive nature assists the human turmoils dictated by the necessities of existence of the Native Americans and the need for profit of the white men.

Alejandro G. Iñárritu's directorial style and choices shine through the film, creating a visceral and aesthetic contrast as we watch the gorgeous landscapes and scenery melting with the brutal storyline. 

The musical score, the visual effects and the make-up are impressive, but the cinematography is completely on another level. Emmanuel Lubezki captured the stunning landscapes and followed the battle scenes superbly, allowing you to fully immerge into the film. It looks like Lubezki is about to get his third Oscar in a row.

And now the performances. Leonardo DiCaprio gives a visceral, raw performance as Hugh Glass, a performance that will live on in history. He portrays Glass's desperation in a wonderful manner: he doesn't even need to speak throughout a lot of the film to convey a thousand of feelings and to make you feel inside the character. That's the real acting, being able to express emotions through body language rather than handling dialogue in the right way. This outstanding performance is supported by an excellent performance from Tom Hardy. The British actor pulled of a really good accent -- it really wowed me -- and he also blew me away with his acting skills, delivering a terrific performance as brutal Fitzgerald. Domhnall Gleeson also did a great job -- his Irish accent occasionally showed up though.


As long as you can still grab a breath, you fight. You breathe... keep breathing. - Hugh Glass

The wind cannot defeat a tree with strong roots. 

From Russia with Love (1963)

Genre

Action | Thriller

Director

Terence Young

Country

UK

Cast

Sean Connery, Daniela Bianchi, Pedro Armendáriz, Lotte Lenya, Robert Shaw, Bernard Lee, Walter Gotell, Vladek Sheybal, Lois Maxwell, Desmond Llewelyn, Eunice Gayson, Francis de Wolff, George Pastell, Fred Haggerty, Aliza Gur, Nadja Regin, Eric Pohlmann

Storyline

The evil SPECTRE organization has hatched a plan to steal a Russian machine known as Lektor, a decoder that will access Russian state secrets and irrevocably unbalance the world order. It is up to James Bond (Sean Connery) to seize the device first, but he must confront enemies that include Red Grant (Robert Shaw) and former KGB agent Rosa Klebb (Lotte Lenya).

Opinion

My journey into the James Bond world continues with "From Russia with Love", an excellent spy-movie, and another case where the student surpasses the teacher, not significantly though.

The ingredients are the same of the first James Bond: a charming British spy, a gorgeous Bond Girl, and a villain. In addition to that, the Bond gadgets make an entrance, and so does the mask - I don't know if it will be a recurring thing, but I see where Mission: Impossible took inspiration from.

The plot is more likely, free of improbable rescues, and more complex that it was in "Dr. No", and despite there isn't a lot of action - although it has increased - the film manages to keep you glued to the screen until the very end. Maybe the villain, Rosa Klebb, should have had more screen time -- the final confrontation with Bond was quite entertaining though, and the SPECTRE organization begins to be feared --, and to reveal all the cards on the table since the beginning came at the expense of tension and twists.

Once again that lucky man James Bond is, as well as having all the women at his feet, finds himself in wonderful locations: from Istanbul to Venice, the locations are stunning and fascinating.

The sequence on the Orient Express, the fight between 007 and Red Grand is fantastic, and the film also benefits from a great musical score and a great song, John Barry's "From Russia with Love".

As for the cast, Sean Connery seems more confident and relaxed, has really grown into the role, and pulls off an ever better performance. Robert Shaw almost steals the show as the psychopathic assassin Grant. Lotte Lenya may not be a great pleasure for the eyes, but she does a good job as the former Soviet Colonel. Daniela Bianchi does a fine job in the role of new Bond girl.

There's one thing buzzing in my head: why is the film called "From Russia with Love"? It doesn't even take place in Russia.

The 2016 Oscar Nominations


It's quite difficult to care about this announcement when mourning the loss of Alan Rickman, but the 2016 Oscar nominations have been unveiled, and here's the full list (and some comments):

Thursday Movie Picks: Post-Apocalyptic World


It's Thursday which means it's time for another episode of Thursday Movie Picks, a weekly series hosted by Wandering Through the Shelves where you share three movies to fit the theme of the week each Thursday.

This week's theme is... Post-Apocalyptic World. Although I am not the biggest fan of this topic, it wasn't hard to find three titles, three great films for the record. Here they are:


The Rover (2014)

David Michôd's second feature, this Australian drama follows a cold-blooded drifter pursuing the men who stole his only possession, his car. Raw, slow and violent, the film captures the audience's attention till the end thanks to its two leads strong performances: a strong one from Guy Pearce, and a surprisingly excellent one from Robert Pattinson. 

Snowpiercer (2013)

In a future where a climate-change experiment has killed all life of planet, the world's "lucky" survivors are on a train hurtling around the globe where a class system emerges. Very smart, thrilling and entertaining, it is the proof that a sci-fi film can also be reflective. It also had a terrific and barely recognizable Tilda Swinton. And Chris Evans to feast your eyes on, just in case the ugly post-apocalyptic scenario isn't your cup of tea. 

WALL·E (2008)

This cinematic gem follows the story of WALL·E, a garbage collecting robot left on Earth to clean up the mess made by mankind. After hundreds of lonely years, he will discover a new purpose in life when he meets a search robot named EVE. The film will conquer children's heart with the cute characters and funny gags, and will make the adult think with his bitter social commentary about environmentalism, obesity and commercialism.