I still remember the first time I watched Park Chan-wook's Oldboy. It was easily the most brutal, sick, and yet humorous and sweet film I had ever seen, and I absolutely adored it. And yet, while I rewatched Oldboy and his English-language films, Stoker and Snowpiercer, I kept putting off his other Korean films, specifically one I have heard nothing but great things about, The Handmaiden (아가씨 Agassi). And I'm not going to lie, it took me a lot of willpower last Tuesday to sit down and commit to watching a two-hour subtitled movie, but I did it, and I was rewarded with an exquisite experience as the film is a beautiful and suspenseful erotic thriller.
The Handmaiden (2016)
I still remember the first time I watched Park Chan-wook's Oldboy. It was easily the most brutal, sick, and yet humorous and sweet film I had ever seen, and I absolutely adored it. And yet, while I rewatched Oldboy and his English-language films, Stoker and Snowpiercer, I kept putting off his other Korean films, specifically one I have heard nothing but great things about, The Handmaiden (아가씨 Agassi). And I'm not going to lie, it took me a lot of willpower last Tuesday to sit down and commit to watching a two-hour subtitled movie, but I did it, and I was rewarded with an exquisite experience as the film is a beautiful and suspenseful erotic thriller.
Categories:
Cho Jin-woong
,
Ha Jung-woo
,
Kim Min-hee
,
Kim Tae-ri
,
Park Chan-wook
,
South-Korean Films
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