Widows (2018)

Huge doesn’t even come close to describe how big of a fan I am of Steve McQueen, the British director not the American actor. It comes without saying that I was very looking forward to Widows, his fourth feature film. Unfortunately, my cinema didn’t show it so I had to wait for the home release to watch it.

The story follows three women who don’t know each other, Veronica Rawlings (Viola Davis), Alice (Elizabeth Debicki), and Amanda (Michelle Rodriguez), and whose only connection is their criminal husbands who got killed by the police during a heist. When Veronica learns that her husband, Harry (Liam Neeson), stole $2 million from Jamal Manning (Brian Tyree Henry), a crime boss and politician, and that Jamal wants her to give him his money back, she enlists the other widows and decides to carry out a $5 million worth heist planned by his late husband.

Widows is completely different from the films McQueen has made so far —Hunger, Shame, and 12 Years a Slave— and you can tell right away from its plot whose purpose is mainly to entertain —he still addresses sexual, political and racial issues, but they are on the background— and it’s entertaining. And engaging and interesting. The problem is that there are too many subplots and not enough time to develop all of them properly —it feels like a collection of stories with a forced connection—, there are many plot holes and coincidences, and the twist, although you don’t see it coming, doesn’t quite have the effect it’s supposed to have.

The characters too were a bit of a disappointment. This is the first time McQueen focuses on female characters and, since Gillian Flynn co-wrote the screenplay with him, I was expecting great characters. Unfortunately, they aren’t that fleshed out —because of this, I found it hard to connect emotionally with them—, and, if it wasn’t for the actresses playing them, they would be overshadowed by the male characters.

The cast, as I was saying, does a wonderful job though and makes you forget the many flaws in the script. Viola Davis is great as usual in the role of a strong woman who is very reminiscent of her character from How to Get Away With Murder, Michelle Rodriguez is feisty as always, Chyntia Erivo is barely in the film and yet manages to make a strong impression, but it's Elizabeth Debicki who steals the show for me as a fragile, vulnerable housewife who is done being mistreated. The actors also do a good job, the strongest performance coming from Daniel Kaluuya as he delivers quite a terrifying performance in the role of a psychotic henchman. 


20th Century Fox
Great performances from the cast aren't the only thing that McQueen delivers with Widows though. The tension he builds is nothing short of spectacular and keeps you on the edge of your seat for most of the film's running time. The cinematography is beautiful and adds a sense of realism to the film and the thrilling score fits the story very well. 

8 comments :

  1. I really liked this and I hate that it didn't do better at the box office and with awards season. I'm glad you liked it too!

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    1. I don't know about the awards. I mean, this was McQueen weakest movie after all

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  2. I really loved Widows, but I definitely agree with you about all the subplots, I struggled to keep up at one point.

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  3. Great review, I agree with most of it, especially on the acting and underdevelopment of characters. Although I am, like you, a big McQueen fan, this movie was a disappointment for me

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    1. I think all the McQueen fans were disappointed with this. It's not a bad movie, it's pretty good actually, but it's just not McQueen good.

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  4. Yeah Viola's character was SO MUCH like Analise! She is always great because she is so fierce but I feel this is just her and she could do this kind of role in her sleep. Debicki and Queen Terrier Olivia the Mighty stole the show for me

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  5. What a cast!!!! I found the flashbacks very irritating and took time away from the wonderful cast. Especially Chyntia Erivo. And the twist did nothing for me.

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